Late last Saturday night i was mooching around Facebook when I came across this blog post about the closure of the Town Hall in Trim to public performance due to a safety report that had been carried out on the building in the previous months. As a result groups such as the local drama and musicals were left virtually homeless over night.
Over the coming 48 hours, through the power of Social Media, a Facebook group was set up and through that a gathering was arranged to protest to the local council at their monthly meeting. A large crowd assembled at the County Council offices to make their feelings known.
I attended the Council meeting where the local Cllr's overwhelmingly gave their support to the groups, promising to help them with alternative arrangements while a source of funding could be sought for the restoring of the Hall to a safe condition.
The problem I foresee is accessing that funding in these times, which will be more than difficult. The greatest tragedy of this is the fact that Ireland and Trim have gone through the greatest period of economic prosperity ever witnessed in the State and yet funds could not be found to maintain a building which all local residents, whether artists or not have very fond memories.
For those who don't know Trim well, it is a heritage town with a strong heritage dating back over a thousand years. There are no shortage of amenities in the town and there are activities for most people whether they be of a sporting nature or an artistic one. Most have been built on the sweat and tears of individuals who have given up decades in a volunteer capacity to put Trim firmly on the map. They are to be commended in the absolute.
I tried to form a group 12 months ago to give an added dimension to the town but there was little support after a positive start, but that's how things go. I also tried to engage with people of influence over bringing a film festival to the town, but after being left standing alone for arranged meetings and the promise of phone calls that never came, that too went by the wayside. With links to films such as the Oscar winning Braveheart, the cult classic Fatal Deviation and The Big Red One dating back almost 30 years now, one would think there was something there to be built upon and if I personally have anything to do with it, it will happen someday.
I entered filmmaking a few years back. The trials are documented here from Day 1. Apart from the support of John Kiely - a local publican - there hasn't been much to shout about. There's a TV Channel in Navan with a license to broadcast, yet it broadcasts very little. It's not like the means are not there if anyone was actually serious about getting something up and moving to build on the films already made around the town and county as a whole. Eventually when I finally get moving I hope to film in comedy/drama and documentaries. They are the genre's that interest me. But as I have well documented on my writing blog, all attempts to engage with bodies such as the Dept of Social Welfare, VEC, Meath Partnership to name but a few, leaves one who deems themselves pro-active in their unemployment scratching their head at times.
As someone who is interested in documentary filmmaking it makes me inquisitive by nature. For those who know Trim, the Town Hall is situated on Castle Street, which houses our biggest claim to fame, Trim Castle. When I was young we used to be able to play pitch and putt and roam the grounds freely. These days - with the exception of the odd day when it's free to enter the grounds as a Trim person - you have now to pay for the privilege.
The street in question has been subject to a visual and environmental assault - not my words - over the past ten years with the controversial building of apartments and a new hotel. I'll be honest, I'm all in favour of change and progress, but Trim has long labeled itself as a heritage town, which has been at times I feel not a great thing when it comes to a jobs supply. The building of the hotel sort of went against the grain of this claim.
This week I did a little digging based on the location of where the Town Hall is located. It's a prime piece of property and with the Hall in complete disrepair it is hard to see a future for it. The one thing that must never be allowed to happen in my opinion is another eye sore appearing there in its place whenever that times comes.
In 2004, the privately funded Centre for Public Inquiry did a report concerning the building of the hotel. The CPI was disbanded shortly thereafter after pressure from the serving Fianna Fáil government. Mary 'Cuticles' Harney said at the time, 'the idea of some group of citizens setting themselves up with absolutely no justification to the wider public is absolutely sinister and inappropriate.' Page 3 of this article.
It's a great article and from the angle it comes from had the CPI been allowed to continue, the corruption that was allowed to go on in Anglo that was to the detriment of every citizen of this country for the next generation might not have been as disastrous.
I looked to get my hands on the report this week but it seems to be now offline. I contacted An Taisce - Ireland's National Trust - three times this week asking for advice on how to get my hands on a copy of the report. The trust, as the link above will tell welcomed the report. But then in a PDF showing off aspects of our beautiful country that welcoming seems to have been abandoned with the inclusion of the hotel in it. All emails have remained unanswered at the time of writing. I've made further inquiries and to my joy it seems that there are still copies out there somewhere so hopefully I may get to see it sometime soon.
For me, and I speak for no-one else, to let the Town Hall go into the state it is in today was a disgrace. But if we are to move forward there seems little sense in playing the blame game. What happens from now on is what is important.
Whatever the future holds for it, I believe that the Arts and the groups facilitated at the Town Hall for the last 30 years should remain central in the town. The town center is the heart of the town and all artistic endeavor should be central to that, if for no other reason than to preserve the historical and cultural importance of the building and not let it be subjected to 'modernization' in the future years as we have seen happen over the past ten.
Time, like everything, will tell.
Thursday, September 15, 2011
Thursday, August 4, 2011
The Lives Of Larry
I've been enjoying for the most part my first stint at editing something myself. Like writing, it tends to allow the hours to part in time lapses that feel much quicker. Considering the way we put the whole thing together what's turning out is better than I anticipated, but then, I would say that perhaps.
There is great freedom in editing your own material. It's not that I wouldn't have respect for editors but in the non-paying arena where independence relies on huge favors it's the time it takes for a project to be completed that is always the most frustrating aspect.
Should directors sit in on edits? I guess there are varying opinions, for me it's necessary. If directors can edit their own material then all the better. If for nothing else but the ability to work on a few projects at a time and turn them around in a time frame that suits everyone else involved.
By the end of the week the remaining few scenes will be shot and hopefully at some stage late next week we may have something to show for our efforts. It's a little offbeat, set in rural Ireland (for now) and tells the story of Larry Kenny, who is riding out the recession in comfort after a little mid-life crisis. But is Larry all that he makes himself out to be?
Contact has begun to be made with actors with a view to getting a feature shot in the time between now and Christmas. It's not going to be entirely scripted and i hope to work with actors on an individual basis for over three-quarters of it. I seem to be meeting people who want to work at somethings right now because they love what they do. With the tiny size of the Industry here it's safe to say any future in the medium would surely be abroad. I always wanted my first feature to be one that came about through determination rather than because a budget committee said it could. It's a real pity a bigger emphasis wasn't put into film-making in the country especially at entry level and in the educational sector. No time like the present to start putting together greater access for filmmakers to equipment and crew from their chosen fields in my opinion and perhaps the rebranding of FAS might have some impact as well.
Time, like everything, will tell.
The Lives Of Larry - Teaser.
There is great freedom in editing your own material. It's not that I wouldn't have respect for editors but in the non-paying arena where independence relies on huge favors it's the time it takes for a project to be completed that is always the most frustrating aspect.
Should directors sit in on edits? I guess there are varying opinions, for me it's necessary. If directors can edit their own material then all the better. If for nothing else but the ability to work on a few projects at a time and turn them around in a time frame that suits everyone else involved.
By the end of the week the remaining few scenes will be shot and hopefully at some stage late next week we may have something to show for our efforts. It's a little offbeat, set in rural Ireland (for now) and tells the story of Larry Kenny, who is riding out the recession in comfort after a little mid-life crisis. But is Larry all that he makes himself out to be?
Contact has begun to be made with actors with a view to getting a feature shot in the time between now and Christmas. It's not going to be entirely scripted and i hope to work with actors on an individual basis for over three-quarters of it. I seem to be meeting people who want to work at somethings right now because they love what they do. With the tiny size of the Industry here it's safe to say any future in the medium would surely be abroad. I always wanted my first feature to be one that came about through determination rather than because a budget committee said it could. It's a real pity a bigger emphasis wasn't put into film-making in the country especially at entry level and in the educational sector. No time like the present to start putting together greater access for filmmakers to equipment and crew from their chosen fields in my opinion and perhaps the rebranding of FAS might have some impact as well.
Time, like everything, will tell.
The Lives Of Larry - Teaser.
Monday, July 18, 2011
Larry Shoots
It's impossible to fill the shoes of a good camera-person or sound person, but the delay in the Booker's World web-series and the catastrophic lack of funds and work meant I had to try of late. I got together with Longford native, Ray Reilly and we shot a short comedy called Larry early last week, having pulled together a crew of three, myself included. Thanks also to Deano Browne and TAM for helping out and also to Meg Quinn and Emily O'Sullivan who also helped us get it shot. In an exhausting three days where it became apparent that certain multi-tasking efforts do really take the soul out of something one should be enjoying, we got what we needed. But desperate times require desperate measures and hopefully the end result will not be subject to the same times as mentioned above. I guess it's a world many filmmakers are used to in this country and further afield.
Days were then spent going through footage and logging it and then sound needed to be synced up as my own meager camera has no input for audio. When all that was done I threw together a very rough first cut and I think I can work with what we got.
Ray and I decided it was worth the effort as we both prepare a feature project in the early part of the Autumn. I really need the editing practice for the web series and feature thereafter. When it comes to those I hope to have a DOP and Sound person as essential parts of a larger crew. As a learning curve right now it made sense to fill the time gap between projects.
I would sincerely like to thank Jason Mehlhorn for his advice over the past number of months as well as use of some equipment and the facility to edit. Although it seems at times I'm going no-where and in double quick time, without his support over the past 12 months on things, I'd have given up by now for sure.
Then I watch around at filmmakers like Jason, Frank Kelly, Paddy O'Shea Padraig Conaty moving mountains to get their features made against the backdrop of difficulties and you see people doing it and that makes you want to do it yourself. There's no backing away from the impact these type of filmmakers might have in the future if Charlie Casanova is anything to go by. I admire these filmmakers the most, because they don't let tax-payer funding - or the lack of it - stand in their way of making films. I think Ireland needs that in filmmaking.
The Internet and technology provides an opportunity for filmmakers that did not exist ten years ago. Filmmakers starting out should use it for all it's worth. There's some great advice out there. If you're from the school of hard knocks and have a 'learn by doing' philosophy then it's the way to go. If only Ireland could be more enterprising in its approach to certain things, it could only have a positive effect on the country. It's the perfect medium that could suit a wide variety of people who collectively could achieve something if encouraged to do. Social media makes those collaborations a lot more practical these days so anything is possible. But will it ever happen? The state of play at the moment makes me think otherwise. I think the talent exists and sites like Crewger and the Underground Cinema are helping. If more dots were joined, then who knows...
Days were then spent going through footage and logging it and then sound needed to be synced up as my own meager camera has no input for audio. When all that was done I threw together a very rough first cut and I think I can work with what we got.
Ray and I decided it was worth the effort as we both prepare a feature project in the early part of the Autumn. I really need the editing practice for the web series and feature thereafter. When it comes to those I hope to have a DOP and Sound person as essential parts of a larger crew. As a learning curve right now it made sense to fill the time gap between projects.
I would sincerely like to thank Jason Mehlhorn for his advice over the past number of months as well as use of some equipment and the facility to edit. Although it seems at times I'm going no-where and in double quick time, without his support over the past 12 months on things, I'd have given up by now for sure.
Then I watch around at filmmakers like Jason, Frank Kelly, Paddy O'Shea Padraig Conaty moving mountains to get their features made against the backdrop of difficulties and you see people doing it and that makes you want to do it yourself. There's no backing away from the impact these type of filmmakers might have in the future if Charlie Casanova is anything to go by. I admire these filmmakers the most, because they don't let tax-payer funding - or the lack of it - stand in their way of making films. I think Ireland needs that in filmmaking.
The Internet and technology provides an opportunity for filmmakers that did not exist ten years ago. Filmmakers starting out should use it for all it's worth. There's some great advice out there. If you're from the school of hard knocks and have a 'learn by doing' philosophy then it's the way to go. If only Ireland could be more enterprising in its approach to certain things, it could only have a positive effect on the country. It's the perfect medium that could suit a wide variety of people who collectively could achieve something if encouraged to do. Social media makes those collaborations a lot more practical these days so anything is possible. But will it ever happen? The state of play at the moment makes me think otherwise. I think the talent exists and sites like Crewger and the Underground Cinema are helping. If more dots were joined, then who knows...
Subscribe to:
Posts (Atom)